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When excluding those who only played lottery draws, participation stood at 28%, implying lottery-only players comprised roughly 21% of the adult population. 

Online gambling participation over four weeks reached 39% (16% excluding lottery-only players), while in-person gambling participation was 29% (18% excluding lottery-only players). 

Top non-lottery activities during the period included scratchcards (13%), betting (10%) and online instant win games (8%). 

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That lineage is the wider takeaway. Play’n GO is treating personality and humor as a repeatable content pillar, not a one-off gimmick, and Frank’s suburban garden feud reads as another entry in a deliberately recurring style.

The premise leans into that identity. “Frank is outnumbered in his own garden and refuses to accept it, and that came through in the artwork early,” Wallentin said, describing a setting in which a grumpy gnome defends his lawn against the gang next door.

the release signals a provider comfortable iterating on both a familiar mechanical family and a familiar creative template

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The first games are expected towards the end of the year, with the partnership ultimately targeting a release cadence of two games per month. For Curwen, Eeze demonstrates the demand among established gaming businesses for greater ownership of their content strategy without the cost and complexity of creating a conventional development operation.

The implications could extend well beyond companies already established in other areas of gaming.

“You shouldn’t necessarily need 100 people and millions of euros of infrastructure to have a great idea and turn it into a successful slot,” Curwen says.